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AAF files that contain multi channels will also be recognized as linked groups automatically. Additionally, if the project features a different time scale the AAF data can also be imported with an offset value to match. AAF support has been refined so AAF sequences can be imported directly to the timeline in use. This new release also includes improvements in AAF import and export. Audio tracks can also be rearranged by click and dragging a single track or a group of tracks in the track index. The track index now supports drag selections for mute, solo, record enable and lock as well as visibility controls so customers can quickly swipe through a stack of tracks without having to click on each one individually. The edit index is now available in the Fairlight page and works as it does in the other pages, displaying a list of all media used, simply click on a clip to navigate directly to its location in the timeline. The extensive Fairlight audio editing also has index improvements. Additionally, improved pan and balance behavior includes the ability to constrain panning. MPEG-H 3D immersive surround sound audio bussing and monitoring workflows are now supported. Effects can also be marked as a favorite so they move to the top of the list, making navigation easier than ever. Search results also display both the filename and description so finding the perfect sound effect is faster and easier than before.įinding audio effects is also faster with automatic sorting that will separate them first by category, and then by native or third party plugins. Users can also copy clips across multiple timelines with ease.ĭaVinci Resolve 16.2 also includes support for the Blackmagic Fairlight Sound Library with new support for metadata based searches, so customers don’t need to know the filename to find a sound effect. Modifier keys are now supported so clips can be duplicated directly in the timeline using the keyboard and mouse.
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Frame boundary editing now adds precision so users can easily trim to frame boundaries without having to zoom all the way in the timeline.
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There’s added support for frame boundary editing which improves file export compatibility for film and broadcast deliveries. Multichannel tracks can now be converted into linked groups directly in the timeline so users no longer have to change clips manually and reimport. Bouncing lets customers render a clip with custom sound effects directly from the Fairlight timeline.Īdding multiple clips is easier as they can now be added vertically to the timeline, not just horizontally, making it easier to add multiple tracks of audio at once.
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New scalable waveforms let users zoom in without adjusting the volume. In addition, the edit selection mode makes adding fades, cuts and even moving clips only a mouse click away.
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This is because the new edit selection mode unlocks functionality previously only available via the audio editor on the full Fairlight console, so editing is much faster than before.
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This new update has major new updates for editing in the Fairlight audio timeline when using a mouse and keyboard. This new update also includes many improvements for color correction, editing and more so is recommended for all users.ĭaVinci Resolve 16.2 is available for download now from the Blackmagic Design web site.
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Blackmagic Design DaVinci Resolve 16.2įremont, CA, USA – Sunday, 5 March 2020 – Blackmagic Design today announced DaVinci Resolve 16.2, a new update to the company’s popular edit, color, visual effects and audio post production software that includes major Fairlight updates for audio post production. This version is a major update, adding new Fairlight audio features to allow low cost audio post production with a simple mouse and keyboard. Blackmagic Design has released DaVinci Resolve 16.2.
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